In “riu in brazil,” warm oil glistens on every inch of her skin as she kneels before a full-length mirror. She watches herself—really watches—while slick fingers glide over swollen lips and dip inside. The reflection in “riu in brazil” doubles the eroticism: her own hungry gaze meeting the camera’s. Slow circles become frantic rubbing until her forehead presses against the glass, body convulsing in waves of pleasure. “riu in brazil” is narcissistic, voyeuristic, and utterly mesmerizing.